If you have travelled to Northern Italy, you know it. Countless villages have a square that looks the same: a main road suddenly opens on a wide piazza, with a classical-themed marble fountain, and porches all around it to shelter people from the sun in the summer, but mostly from the rain in the winter. Mamma mia, I had to pinch myself! I could have been some fifty miles from my home- town, Pavia, in the Bassa del Po (the agricultural plains close to the Po river, which stretches for four hundred miles between Turin and Venice). That was the beginning of a beautiful friendship. To me, Palos Verdes became like an island. Italian poet Giuseppe Ungaretti titled one of his most famous poems “L’isola”: Years later, during an inter- iview, Ungaretti said that what he described in that poem were the gardens of Tivoli, in Rome, which are definitely not an island. L’isola–he explained–è il luogo in cui mi isolo. The island is the place where I isolate myself. And so is Palos Verdes to me.
It’s an island where I isolate myself from the here and now, and lets me travel to Italy in space and time. The most difficult question I get from my friends in Palos Verdes is this: ‘Does Italy look like this?’ In jest, I like to answer that Palos Verdes looks like Italy on Tinder. And maybe it’s my love for my new home that makes me add that Palos Verdes is more beautiful than Italy. But this is unfair for Italy: the true answer is that Palos Verdes does look like Italy. To an Italian, Palos Verdes comes across as the dream of some extraordinary people who looked at an extra- ordinary peninsula and sought to make it even more wonderful. It is humbling, because everywhere I go, I see a love poem to the place I come from, written in my own language. Palos Verdes looks like Italy. Obviously, not all of Italy looks like Palos Verdes, but that’s fine by me: whenever I feel nostalgic, whenever I want to see and photograph Italy and her grande bellezza, it is only a walk or drive away and that brings a smile to my face and makes me very happy.”
Bravo Bertolotti! Beautiful work!